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Schuster, author of Speculations: Readings in Culture, Identity, and Values , agreed that the character offers very little feminism apart from her "defiance of an arbitrary law." [125] Bust 's Sholeh Hajmiragha began by praising Jasmine's progressiveness: "she challenges her ascribed life as a princess, is skeptical of marriage, and, by falling in love with poor Aladdin, upsets the class system." However, in the end the author criticized the character for being "very sexualized," explaining "while female sexuality is something to be proud and in control of, it maybe isn't the best message for young girls." [117] Opening that Jasmine's role lacks significance, Feminist Fiction deemed her an example of how "Disney treats its female characters when they're not the protagonist of the story," elaborating "it looks like Disney put a lot of effort into giving Jasmine girl power and independence, at least in her dialogue and attitude," but "didn't follow through and give her strength in the plot itself." [51] The website also observed that the character's feminism does not appear to extend beyond "lip service," ultimately criticizing Jasmine of using her sexuality instead of her intelligence to "save the day" before finally reverting to the role of a damsel in distress awaiting rescue

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